Commercial
Conversational to premium. The read that feels like it wasn't read at all. Brands that want people to actually feel something — this is where that starts.
Atlanta, GA / Voiceover
I don't just read scripts. I understand what they're trying to do. Commercial, cinematic, narration, character. If the read has to land, that's where I come in.
Most voices show up and fill the space. The good ones know what the space is supposed to feel like.
There's a version of your project where the voice is forgettable. Then there's the version where it stays with you. The difference is rarely the writing. It's who's behind the mic and whether they actually understood the assignment.
notable work
Replace placeholder credits with real projects as you book them
Conversational to premium. The read that feels like it wasn't read at all. Brands that want people to actually feel something — this is where that starts.
Heavy when it needs to be. Quiet when that's louder. Built for the moments where something has to feel like it actually matters.
Long-form without losing people. The voice that holds attention for an hour and makes it feel like twenty minutes. Documentary, e-learning, whatever needs a real guide.
High energy but not frantic. The difference between a voice that hypes and one that actually builds anticipation — and delivers on it.
Range without losing authenticity. Animation, games, anything that needs a voice with actual weight behind it. Not a performance. A presence.
When the voice is the tone. Brand films, campaigns, anything where getting it wrong means the whole project feels slightly off. This is the one where it can't be wrong.
A lot of voices can do the job. Fewer actually get it. Fewer still bring something to the room that makes the whole project feel like it was supposed to sound exactly like that. That's the distinction.
Warm to cinematic. Intimate to commanding. The format doesn't dictate the delivery. The story does. Those are two different things and most people don't know the difference.
I hear where a script needs to breathe and where it needs to push. That instinct is the gap between technically correct and actually memorable. One of those gets bookmarked. The other doesn't.
Not the voice from every other spot. Not dated. Not generic. A sound built for right now that still has enough character to be remembered tomorrow.
Responsive. Clean deliveries. No chasing. The kind of session you actually look forward to booking again because it just went smooth.
Professional home studio. Remote-ready. Files show up clean, on time, and ready for your timeline — not mine. No chasing, no excuses, no unnecessary back-and-forth.
I came up in high-stakes technical work before the booth. Detail-oriented, composed under pressure, easy to direct. I brought that exact same energy here — because a mic session where someone doesn't know what they're doing costs everybody time.
Get in TouchSetup
Professional Home Studio
Coverage
Remote + In-Person
Turnaround
24-48 Hour Standard
Delivery
Broadcast-Quality WAV
Direction
Source Connect / Phone
Revisions
Included + Responsive
24-48 hours for most projects. Rush delivery is available — just let me know upfront and we'll figure it out. I don't believe in making people wait unnecessarily.
Absolutely. Source Connect, phone patch, Zoom — whatever works for your setup. Live sessions are actually my preference when possible. You get exactly what you need in real time, no guessing.
Yes. If you're not sure if my voice fits your project, send me a few lines and I'll record something for you. No obligation. I'd rather you make the right call for your project than guess from a demo.
Broadcast-quality WAV as standard. MP3 if you need it smaller. Edited, noise-reduced, and ready for your pipeline. Tell me your specs and I'll match them.
It's one of the things I want most. Game VO — character work, in-game lines, trailers, cinematic narration — is where I'm pointed. If you're building something and need a voice that actually understands the medium, let's talk.
Included for reasonable changes. If the direction shifts significantly from the original brief, we'll talk about it. But I'm not the kind of person who nickel-and-dimes small adjustments. Good work matters more than that.
"Jordan's read on our campaign spot was exactly what we needed. He understood the tone immediately. First take was basically it."
Client Name
Creative Director, Agency
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"That voice made our trailer. We could not have launched without it. Working with Jordan was seamless from start to finish."
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Producer, Studio
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"Delivered on short notice, exceptional quality, nailed every direction note. We came back three more times. Still coming back."
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Brand Manager, Company
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I grew up between two worlds — Frankfurt and Atlanta — which is probably why I've always been comfortable moving between registers. Corporate and warm. Cinematic and grounded. Premium and real. Code-switching is not a skill I developed. It's just how I've always thought.
Morehouse grad. Lifelong reader. Gamer since before that was something people admitted to proudly. I care about food, craft, and doing things with intention. That might sound like background noise but it shapes everything about how I approach a session — with taste, with precision, and with the understanding that details are the whole thing.
I don't do generic. My voice doesn't either.
New campaign, upcoming production, or still figuring out if it's a fit. I'm easy to reach and easy to work with. Send it over.